FPmag > FrancescoComello

Justyna Mielnikiewicz, Odessa, Ukraine, July 2015. © Justyna Mielnikiewicz. Amina Okuyeva poses for the photo in a flat she shares with her mother and
son. She was on Maidan from December 2014 working as a medical
volunteer. In that time her husband was in prison accused of the attempt to kill
Russian President Putin. After Euromaidan revolution he was pardoned and
together with Amina joined international peacekeeping battalion of volunteers
to support Ukraine in fighting against the pro-Russian insurgencyJustyna Mielnikiewicz, Odessa, Ukraine, July 2015. © Justyna Mielnikiewicz.
Amina Okuyeva poses for the photo in a flat she shares with her mother and son. She was on Maidan from December 2014 working as a medical volunteer. In that time her husband was in prison accused of the attempt to kill Russian President Putin. After Euromaidan revolution he was pardoned and together with Amina joined international peacekeeping battalion of volunteers to support Ukraine in fighting against the pro-Russian insurgency.

EXHIBITIONS

COTM 2017: the exhibitions

Twenty exhibitions are programmed in Cortona during the 7th edition of the Cortona On The Move International Photography Festival. Open to the public until 1st October 2017 more...
EXHIBITIONS

To enter priesthood in the Orthodox religion it is necessary to become monk first or to get married. Vladimir marries Vittoria; both have attended the community years before. From the serie Isle of Salvation by Francesco Comello, winner of World.Report Award 2016, categoria Spot Light Award. © Francesco Comello. To enter priesthood in the Orthodox religion it is necessary to become monk first or to get married. Vladimir marries Vittoria; both have attended the community years before. From the serie Isle of Salvation by Francesco Comello, winner of World.Report Award 2016, categoria Spot Light Award. © Francesco Comello.

Snapshots of a utopia The work "Isle of Salvation" by Francesco Comello won the Spot Light Award part of the World.Report Award 2016. The words of the author and some critical notes on the work exhibited on the occasion of the Festival of Ethical Photography at Palazzo Barni in Lodi




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